Much literature on fashion design today centers around sustainable, ethical making processes or advances in the use of digital technologies. As a graduate student, I want to address both through the use of playful, open-minded process and material exploration. With access to both traditional fashion design and new digital fabrication tools, I utilized both in the process of combining gifted, reclaimed, 3D printed, and found materials. The making process was intuitive, with the design process being informed and developed though open-minded interaction with materials and processes.
How to Cite:
Riewe, K., (2018) “Assembling Creativity”, International Textile and Apparel Association Annual Conference Proceedings 75(1).